- #Final cut pro key features how to#
- #Final cut pro key features pro#
- #Final cut pro key features software#
- #Final cut pro key features professional#
In the past, you could only place clips in the Timeline if they were shot at the same frame rate (24 fps or 30 fps), aspect ratio (standard or widescreen) and definition (standard definition or high definition).
#Final cut pro key features pro#
One of the most recent additions to Final Cut Pro is the Open Timeline.
#Final cut pro key features professional#
#Final cut pro key features software#
The best way to encode for different devices is by sending the file to Compressor, the encoding software included in Final Cut Studio.
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Once your sequence is edited, you can export and encode to dozens of different file types for making a DVD, publishing to the Web or creating content for mobile devices like iPods and cell phones. Those clips and transitions will be added to the Timeline wherever the playhead is located. By dragging a clip from the Viewer and holding it over the Canvas, you access the Edit Overlay window, where you can choose from common edits like insert, overwrite and standard transitions. The Canvas can also be used as a fast way to add clips to the Timeline. The playhead in the Canvas is synched to the playhead on the Timeline. The Canvas window is where you can preview what your entire edited sequence looks like. Tools like Ripple, Roll, Slip and Slide allow you to easily shorten and lengthen clips, slide edit points, overwrite and replace video. To the right of the Timeline are a set of editing tools for trimming clips once they're in the Timeline.
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Video clips are assembled chronologically from left to right with separate tracks for audio and video. You can add a clip to the Timeline by dragging it straight from the Browser or the Viewer. The Timeline is where all of the elements of a sequence are assembled. Once you've trimmed your clip down to size, it's time to add it to the Timeline. The viewer comes with a jog wheel, a shuttle and a scroll bar for locating individual frames. Here you can trim it using in and out points.
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When you double-click on a clip in the browser, it appears in the Viewer. In the top middle of the Final Cut Pro interface is the Viewer window. You can find them by going to File - Import - File and then choosing the clip from the Finder window. You can also set in and out points on each clip before importing them to save room on your hard drive.Īnother way to import clips into the Browser is by simply selecting files that are already on your hard drive. Choose the clips you want to import and drag them into the digitizing queue. All of the clips on your camera will appear as a list of thumbnails. All you do is connect your tapeless camcorder to your computer and go to File - Log and Transfer. In Final Cut Pro, tapeless clips aren't captured, they're ingested. Some newer digital camcorders are tapeless, meaning they record to a built-in hard drive or memory card instead of a tape cassette. How do you use Final Cut Pro? What are some features of Final Cut Pro? How does it stack up against Avid? Read on to find out. The nice thing about Final Cut Pro is that it's powerful enough to satisfy the most demanding professionals but easy enough to be enjoyed by high-end home users. Roderick Jaynes, who won the Oscar for Best Editing for "No Country for Old Men" used Final Cut Pro as did the editors of effects-heavy productions like "Sky Captain and the World of Tomorrow" and even "The Simpsons Movie." More and more professional editors have figured out that Final Cut can do everything AVID can do faster and for less money.
#Final cut pro key features how to#
Software engineers have figured out how to compress file sizes without sacrificing image quality and to preview effects without long rendering times.Īvid has long been considered the industry standard for video editing software, but Final Cut Pro is catching up. Now the latest versions of Final Cut Pro and AVID Media Composer can handle high-definition video and complicated effects without bogging down the editing process. It was also time-consuming and expensive to work with large files like high-definition video. In the past, adding effects, transitions and graphics took a lot of computer processing time, even when using powerful video editing systems like AVID editing machines. In recent years, as computing power has steadily improved, there has been an increased emphasis on real-time editing.